Material-Resiliency - From a microscope to a prototype for a resilient architecture

The image features an immersive art installation of numerous fabric tubular elements in various diameters and colors (neutrals, ochre, light blue, and a vibrant backlit red) hanging from the timber-framed ceiling of a historic building.  Captured from a worm’s-eye view, the shot emphasizes the verticality and volume of the pieces, creating a suspended "forest." The structures end in organic openings resembling corollas or funnels, inviting tactile and visual interaction while transforming the space into a multisensory experience.

In the Italian Pavilion of the Biennale di Venezia, opened on May 22 and running until November 21, 2021, MatRes is on display, a living laboratory of resilient materials, with biological, organic, sustainable and recycled origin, capable of growing and transforming over time.

The exhibition, born from the research activities of ABC, Design and Chemistry Departments, is curated by Prof. Ingrid Paoletti and Prof. Anna Barbara.
Through the metaphor of a tree, resilient micro architecture par excellence, the exhibition wants to tell the resilient behavior of materials capable of transforming adversity into vital advantages, with the aim of knowing these models of natural resilience to develop advanced building systems.
MaTres shows the resilient behavior of wood fibers, vessels, longitudinal and transverse, and the central pith through the use of materials that come from the culture of architecture, interior spaces, and fashion. From natural composite materials (mycelium, spent coffee, cellulose) to 4D printing, from energy-producing plants to fabrics with optical, acoustic or heat-sensitive properties to natural or recycled fibers, reacting virtuously to stressful stimulations.
The environments in which we live and the materials that make up the scenarios of the near future must have a high resilience to the increasingly unpredictable and extreme conditions of climate and weather. Materials must protect ecosystems from exogenous attacks, must be able to absorb the impact of radical transformations and change irreversible paradigms into new forms of life.
From resilient materials will begin the transformation of spaces, places, relationships between natural and built environment and these materials will be assumed as actors and protagonists with their forms, behaviors, qualities, temporality, intentionality and not vice versa.
The origin, the study under the microscope, the computational design, the life cycle of the materials start a resilient design model to be available for a conscious and responsible future.
In this policy of matter, the choices will be guided by the environment, nature and life, which will cross in a new continuum, creating an increasingly integrated and resilient system.
The installation is a potential material library that will have to be implemented over time through a new alliance and new balances between materials, spaces and new technologies. It collects a research by the departments involved on the potentialities emerging from the exploration of new materials. Design becomes a generative discipline that accompanies the material from its creation to its installation, performance and expression in space. The Department of Design has contributed to the curatorship and planning of Mat.Res in close relationship with the interdepartmental team that has been created; it has designed and produced some of the materials in the installation in its laboratories, and has explored the resilient potential of some existing materials in collaboration with manufacturers.

Matres' contributions include:

AMOTEX

Designer: Anna Barbara (PoliMI, Design Dep.) with Simone Bodo,

Producer: Alessandro Simoni

AMOTEX is a composite material with electromagnetic protection characteristics. It is a pure virgin wool knit woven with amorphous microfilaments that protect from electromagnetic waves based on the principle of energy absorption by "skin effect". Being micro, the metallic filament can be processed with natural or synthetic fibers without changing the original properties of the fabrics.


The image is a close-up detail highlighting the textural contrast between two vertical surfaces: a speckled grey fabric with a soft weave on the left and a natural green moss wall on the right. The bright gap in the center creates a sense of depth toward a blurred background, evoking a dialogue between synthetic and natural elements typical of bio-design.
amotex



BIOTAPE

Design: Giovanni Maria Conti, Martina Motta, Patrizio Terzi (PoliMI, Design Dep.)

Production: Lanificio dell’Olivo

BIOTAPE is the name of the organic cotton yarn produced by Lanificio dell'Olivo, a sponsoring partner, and used for the outer layer of fabric that represents the bark of a tree trunk. The architectural structure made of BIOTAPE is made of 32 knitted sheets, with an elongated openwork and knitting, knitted with a Shima Seiki SSR112 machine, fineness 7, present in the Knit 2 Laboratory of the Design Department. Sustainable yarn is defined by softness, versatility and easy workability and can be implemented with antibacterial properties. Since it is produced in an environmentally friendly manner, it is sustainable and fully biodegradable.


A hand lifts a section of a grey vertical ribbed knit, featuring an irregular perforated pattern and woven-in colored threads (pink and white). The fabric surface and the hand are dappled with filtered light, creating a bokeh effect of bright spots that evokes an atmosphere of discovery and interaction with organic and sensory materials.
biotape

MILLEFORMA

Designer:

Anna Barbara (PoliMI, Design Dep.) with Massimo Gatelli

Producer:

Milleforma

Milleforma is an acoustic covering made of natural material, based on cotton linters mixed with special high quality clays and colored with natural materials with their own fragrance. The production techniques and treatments to which this pulp is subjected also confer fire and water resistance, while maintaining intact the excellent sensory and aesthetic qualities of the finished product. The material, absolutely nature has therefore in addition to the visual characteristics, those of acoustic well-being, purification and deodorization of environments and mechanically resistant. At the end of the Biennale, the installation will be completely recycled and 100% reused.


The scene displays several columns made of stacked discs of fibrous, porous material (likely mycelium or pressed vegetable waste), creating sinuous and irregular shapes. Alongside them, white fabric elements and rope weaves add tactile variety. The background consists of a semi-transparent textile surface that filters light, creating a play of shadows and transparencies that enhances the experimental and sustainable nature of the work.
milleforma

TEAM
Ingrid Paoletti (PoliMI, Dip. ABC, Material Balance Research)
Anna Barbara (PoliMI, Dip. Design)
Saverio Spadafora (PoliMI, Dip. ABC, ABCLab – MaBa.SAPERLab)
Valeria Marsaglia (PoliMI, Dip. ABC, Material Balance Research)
Maria Anishchenko (PoliMI, Dip. ABC, Material Balance Research)

DIPARTIMENTO DI ARCHITETTURA,INGEGNERIA DELLE COSTRUZIONI E AMBIENTE COSTRUITO:

Material Balance Research, ABCLab, MaBa.SAPERLab, Design&HealthLab

DIPARTIMENTO DI DESIGN: Laboratorio di Design della Maglieria

DIPARTIMENTO DI CHIMICA:Laboratorio Prove Materiali



In collaboration with:

Federico Leoni (Università di Verona, Dip. Scienze Umane)

Stefano Gomarasca (Università degli Studi di Milano, Environmental Science and Policy Dep.)



PARTNER

Aquafil spa, Directa-Plus, Iafil spa, Lanificio Dell’Olivo, Milleforma, Shima Seiki Italia spa, Alessandro Simoni, Sinterama spa, Sesia, Artemaglia




Other contributions for installationMatRes:

BIOLINO

Designer: Maria Anishchenko (PoliMI, ABC Dep., Material Balance Research)

Producer: Artemaglia, Sesia

COFFEE COLUMN

Designer and producer: Esra Kagitci Dede, Begüm Sardan, Nathaly Michelle Rodriguez Torres, Payam Norouzi, Saverio Spadafora, Valeria
Marsaglia (PoliMI, ABC Dep., Material Balance Research, SAPERLab)

2.1 K

3.Designer : Luigi De Nardo (PoliMI, Chemistry Dep.)

Producer: Directa-Plus, in the framework of a cooperation with Politecnico di Milano, under “GRATA” PoR-FESR Regione Lombardia Project.

LOW-MELT

Designer:

Maria Anishchenko (PoliMI, ABC Dep., Material Balance Research)

Producer:

Artemaglia, Sinterama

LUNAR

Designer: Maria Anishchenko (PoliMI, ABC Dep., Material Balance Research)

Producer: Artemaglia, Sesia

MOSS COLUMN

Designer and producer:

Valeria Marsaglia (PoliMI, ABC Dep., Material Balance Research), Paolo Bombelli (University of Cambridge, Biochemistry Dep., Università di Milano, ESP)

SPACING SPACER

Designer:

Andrea Giglio (PoliMI, ABC Dep., Material Balance Research)

Producer:

Shima Seiki Italia spa, Aquafil spa, Iafil spa, Sinterama spa, Politecnico of Milan (Lab Knitwear, SAPERLab)

4D TEXTILES

Designer and producer:

Giulia Grassi and Xingxin He (PoliMI, ABC Dep., Material Balance Research, SAPERLab)

WOVEN MYCELIUM

Design and production:

Aimi Berton, Fatima Abenova, Valeria Marsaglia (PoliMI, ABC Dep., Material Balance Research, SAPERLab)

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